after almost 2 years without publishing new material. the label properproud reappears with this ep limited to 250 copies. the owners of the label santi and roger (strange connection) have worked very hard to remind everyone with this record that the electro-techno and ebm will not die ever! this time, properproud back with more force and with the intention of staying forever. closing mouths includes 4 tracks of 4 major artists and the name isn t coincidental. it s time to shut many mouths that don t rely on this kind of music the first one closing mouths (a1) has been signed by the owners of the label (strange connection) is the first time published in properproud. a track of pure ebm, dark and evil but with great force and which has received great support from artists like angel molina and dave clarke who has played several times in his white noise radio show. the second one hurt me (a2) has been signed by jonathann cast in collaboration with the voices of drey. after publishing in dancefloor killers come to properproud and do it in a forceful and dark track that can move any dance floor. bluntly electro-techno and without mercy! on b side, we find 2 of the best signings he has made during that properproud parentheses. in the first cut (b1) adriano canzian, currently one of the most bizarre techno artists, with halim the dream shows because david carretta and dj hell is set in it. a brutal track, direct and intended to enjoy it in a club. dave clarke has supported it without hesitation. and to finish off the ep, ruben montesco (b2), after his passage through lasergun and other labels turn to properproud to demonstrate in madrid that also makes good techno and ebm. insomniac s red room is a dark track, evil but with a lot of energy and a perfect voice. rubÚn besides being a great friend and supporter of properproud is undoubtedly one of the best producers of this style at national level. 4 tracks that shape a piece of craft for lovers of brazen sounds and is the first of a series of 12 inch that will see the light soon and will be limited to 250 copies. properproud is back .... stop the minimal. use your brain!

mexican techno veteran luis flores makes his debut appearance on the droid recordings label with dain brammage. as both an artist andmusical catalyst, luis has shared many ideals with the members of droid. after many years of pushing progressive concepts that are both innovative and non conforming, luis has developed his own production style that is precise, hypnotic, and maintains a healthy degree of dance floor groove. his title track is a deep journey into psychedelia and unearthly bass. brammage contains only a few essential elements, each tripped toperfection. sparse eerie vocals carry nicely along the 6 minute sequence. flores inside track the call is a slow and steady builder with dark subtle vibes and crisp hand claps. at four minutes flores introduces a rippling synth gate that trips listeners deeper into submission. very heady, very essential

brendon moeller/pawas mixes - this new ep from biatch corp core member karraskilla, a follow-up to last years su merced el pimp ep, is another slice of sophisticated, throbbing late-night groove music from the colombia-born, nyc-based electronic music artist

2002 debut album by sweet norah jones!!

elon returns to dumb-unit with 2 sublime summer works. treading lightly on current trends but with full individual strength he jacks the notion of what a modern techno djs should deliver in this day and age. fxck cuba is a layered and playful excursion into what the post minimal freestyle years have allowed us to achieve. freedom from constraints & styles. he then continues the mood on >right on babe< an ode to slinky summer sex, here elon pushes a dark and nasty feel that will grind hips this summer.next up is a man we have been eyeing for some time and his first foray onto dumb-unit is a stormer. ahmet sisman, the upstart from essen who has already made major waves (including being featured being on sven väths sound of the 9th season), takes the remix to another dimension (so pay close attention). not for the light hearted, this remix a a powerful calling to festival and main room dance floors of the summer, direct, unabashed and loads of fun ahmet is clearly a man with a lot to say and delivers a powerful modern take on dumb units renown sound.

the 2nd release of this fine new label ann aimee marks the return of londoner simon walley aka cim! cim built up a big profile with releases for respected labels as delsin and de:focus, including his impressive >reference< album. this noki bay ep is his first full release after more than 2.5 years!! this ep brings nine tracks in his trademark style, warm subtle electronics with a little touch of detroit.

german modern metal act caliban has returned with its highly anticipated studio album say hello to tragedy! the album was produced by benny richter, co produced by guitarist marc goertz and mixed by killswitch engage guitarist adam d.

>delaze< is dave p & adam sparkles follow up single to last years much-lauded >sunday night in glasgow<. this debut 12 inch won critical acclaim such as record of the month in tsugi magazine and record of the week inmanchesters legendary music store piccadilly records.

the 2nd ep vinyl preview of the highly anticipated italoboyz full length bla bl bla (out in september) on mothership. not everyone is aware that both marco and fede migrated north to london from italy several years ago. this move has influenced their sound, hence the where is london? ep this ep also marks the start of their new live instrumentation work. where is london draws its title from a big ben sample put in reverse, but it also features experimental live piano work (piano strings struck with paper mallets) re-twisted into their addictive drum patterns. on the other side, lanagramme features salvador dalis voice and the interesting dual piano work of their good friend angelo. italoboyz are always pushing the boundaries and testing the limits of traditional dance-floor music and this is no exception.

we are proud to welcome the legend that is todd terry. rightly considered as one of the pioneers of the house scene, his work & reputation over the years are second to none, and with an abundance of chart hits & underground classics, its no wonder todd earned the nickname of >god<. a day in the life was one of the early todd productions under his black riot moniker, brought back up to date 20 years on and featuring an exclusive 2009 mix from the >god< himself

superb sounding reissue of azotos 1981 italo disco masterpiece >san salvador<. originally released back in 1981 on italys tiny vedette records, this monster track with its slamming latin groove, killer bass, uplifting vocals and house-style piano never fails to ingite the dancefloor. nearly thirty years after its original release, it still receives heavy rotation by any of the top disco jocks lucky enough to have a copy. produced by italo innovator celso valli, the man responsible for macho, passengers and tantra to name but a few. also featuring the highly sought-after instrumental version, this classic is a must for all fans of good time party music. first class!

the new, first time ever on vinyl 2lp reissue of a long way around to a shortcut is somehow a greatest hits of the golden not quite decade of sic alps. well, not quite golden, either. can gold be tarnished? can it be done on purpose? if so, sic alps are artisans of the highest order - for their music is the bright, surging sound of ye olde rock & roll radio (and the garages that tuned in) heard through air darkened with specks of nameless obstruction. in and amongst their ingrown sounds, sic alps take on classic tunes from strapping field hands, throbbing gristle and the zipps on a long way around to a shortcut. it is to their credit that they completely absorb their estimated predecessors and create the only sound left to them: the sound of the sic alps. a long way around to a shortcut was issued as a cd in 2008. it collected songs that were first issued throughout the epic years of 2006 and 2007 on two 12inch eps, three 7inch singles and a cassette, plus a song from a compilation cd r and a song exclusive to this compilation. the records were originally given titles like united, strawberry guillotine, semi streets, hip hop sweepers vol 1, teenage alps, and the soft tour in rough form, but all these original releases are long gone.

1970 classic by legendary bob marley and the wailers re-released on 180 gram vinyl

trademark is the collaboration of tony reeves and tundra records labelmate loki. formed in 2000, the trademark project blends electronic studio craft with the live influence of their years playing jazz. trademarks output ranges from chillout through breakbeat to deep house and even drum and bass, but always with the fusion of deep jazzy chords, rolling beats and searing synths that define their style.
ia2 showcases all kinds of broken beats and trademark here provide another 3 varied tracks, with great support all round. new frontiers is a funky, upbeat broken dancey track and has had loads of support from promos. great progression through the track and some great riffs and percussion. outworld has been compared to early earth stuff from bukem and cafe del mar stuff, deep broken beats and sunny pads, great arrangement. lovely deep bass and textures. south central is a more straight up broken track, probably the most chilled of the bunch live live sounding bass and a nice deep vibe.

trademark is the collaboration of tony reeves and tundra records labelmate loki. formed in 2000, the trademark project blends electronic studio craft with the live influence of their years playing jazz. trademarks output ranges from chillout through breakbeat to deep house and even drum and bass, but always with the fusion of deep jazzy chords, rolling beats and searing synths that define their style. this year sees the pair return to their roots with some deep, tech-house grooves for the discerning clubber.
ia stands for 4/4 beats and the label starts with a bang with three great and quite different 4/4 tracks for many deep and tech floors, and tropic of capricorn for more chilled moments. elevator is crisp deep/tech house which slowly builds and just rocks! with a wicked solid deep bassline too that keeps things really groovy. jack o diamonds also has that clean crisp sound and groovy bass with synth stabs and lots of funk for loads of different dancefloors. its a bit more upbeat than elevator and also has wicked deep bass to keep peeps movin! saturn 5 is deeper, darker, subtle and just a massive deep phat sound which is totally awesome on any decent system, wonderful deep textures and pads - just really lush. tropic of capricorn is a deep detroity broken beat track that compliments the others. crisp production again and not too cluttered, it does what it needs to and works in many different situations.

after the success of their collaboration with paul thomas on last years festival anthem >arena<, mark knight and funkagenda join forces once again on one of the most eagerly anticipated tracks showcased at this years miami wmc.
>good times< is the feel good anthem of the summer comprising of a modest intro with a warbling bass line driving slowly through collecting sounds, before opening up into an edgy synth stab and finally the insanely catchy vocal hook >these are the good times<! the track drops back in like a speeding locomotive train going full steam ahead, with cleverly placed percussion, fx and siren sounds soaring to create an intense rhythm.
on the flip, >flauta magica< shows the diversity of these two acclaimed producers when they get in the studio together. taking a different route from the lead track and concentrating more on the groove, >flauta magica< chugs along nicely with an almost tribal percussive feel to it. the excellent chanting vox sample, reminiscent of the early house sound, keeps the groove rolling along into the drop. taking the lead from the tracks name, a whistling flute riff drops elevating the musical vibe to a new balearic level.

the game boing is a small bag, perfect for everyday use. through this model we show one of the most renowned game platforms under a new light. but this selection is far from random. game boy has become during the past few years a music machine on its own, defining a new electronic genre, called 8-bit music type: small bag & pouch dimensions: 16.5 x 4 x 10 cm material: printed pvc extra: adjustable belt

determined to write a new chapter in nycs long history of dance music, marcos cabral and jacques renault (think dfa, rekids, im a cliche, wurst edits, chinatown, editions disco, rvng, trapez, and more) have decided to launch their own record label on the prowl. with a heavy nod to american classic house, techno, and disco, otp listeners should expect a variety of sound that will propel them to dance for years to come. the first otp instalment entitled the poltergeist throws a heavy blow of dark acid bass, todd terry-esque stabs, and proper dubbed out distortion for a feeling that will leave listeners floored... leaving even the most stubborn of listeners open for more. house music, raw and unrestricted. the b-side, not to be overshadowed, brings us dont block the box. an a-side in its own right, delivering us good old fashioned house music with hypnotically filtered samples and pulsing arms in the air swells of resonance.

strut present the story of one of the most influential and revered labels emerging from new york in the late >70s and 80s<, ze records. after the late 70s punk and new wave explosion in new york, ze became a by-word for the anything-goes culture clashes that typified the big apple during the early 80s. formed by french art student michel esteban and british journalist michael zilkha, ze quickly created its own unique independent universe, signing artists as varied as alan vegas electronic postpunk pioneers suicide, trash disco queen cristina and maverick producer august darnell a.k.a. kid creole. with estebans sharp graphic eye leading the labels visual identity, ze hit the new york zeitgeist head on and became supremely hip û in 1982, the face magazine nominated it ôthe most fashionable label in the world.the labels early success led to a deal with chris blackwells island records, which gave zes releases worldwide exposure and brought worldwide fame to kid creole, was (not was) and more. over thirty years on and ze remains one of the great cult labels of its time. with this new compilation, strut takes a snapshot of the many weird and wonderful fusions that surfaced on its famous nyc cab-influenced yellow and black label. highlights include one of the earliest outings by was (not was), tell me that im dreaming, a disbelieving commentary on reagan-omics, bob blankÆs short-lived disco supergroup aural exciters and a larry levan mix of kid creoles biting parable about corruption in the caribbean, theres something wrong in paradise. other featured artists include ze label regulars cristina, bill laswells material, kookie french experimentalist lizzy mercier descloux, and camp disco-electro icons, les garcons.

sometimes a track is so hot it just has to come back around again. about ten years ago brett johnson and dave barker (stucco homes) wrote some unbelievably catching house tunes, one of them being temptation and lies. so it just seemed right to give this track yet another life. deadbeat and mike shannon dive deep into a stripped down techno groover, removing the constant use of the vocals and creating a rolling techno dub version. some seriously deep bass in the production that works the subs in all the right places. ernesto ferreyra and guillaume coutu dumont aka chic miniature give you a playful melodic version on the flip. full use of the original chord progressions, combined with the guys signature marimba/latin percussion leaving you with a lush, warm summer hit. then brett dives into the track again giving you the oohs and ahhs mix. a ten minutes work out with bjs patented groove focused on the vocal harmonies in the original. the result is a warped, spaced out, long player that is sure to twist a few heads. mental just about sums it up. of course we had to include the original masterpiece for those who didnt find it the first time round. a favorite of everyone involved on the remix project i think youll agree that the temptation and lies cynosure mixes do the original some justice.

almost two years after his highly acclaimed debut, fabian bussmann is back with a release on debox. and the waiting was worthwhile! sometimes i m invisible is a remarkable piece of work and shows a recognizable advancement in fabians production skills. >or else< on the a- side is predestinated to be played on a big sound system: dark, athmospeheric, reverberated with lots of freaky delays and effects and equipped with a powerful bassline the track creates a tension that will surely massively discharge on the dancefloors this summer. the remix on the b- side was created by bastian buesser who recently attracted a lot of attention with his releases on debox and endlich elektro. buessers interpretation of the track is a deeper, more playful approach of the theme. without touching the basic structure of the track he constructs a more relaxed, athomospheric vibe, taking back the tempo and adding a new bassline to the adaption. the title track >sometimes i m invisible< clearly distinguishes from the the a- side and presents a different side of fabians work coming along with a groovy bassline and lots of percussive elements.

computor rockers return after the worldwide hit that was computor interface (brk49) with another showcase of exactly how electro should be put together. all too often retro can mean dull and uninspired (or just lame plagiarism), but anyone who has been following ed dmxs career over the last several years will know that really isnt the way he plays the game. instead he understands the value of songs and melody... the beats are fresh, without a doubt, but it will usually be the tune or the lyrics that will hook you into a dmx production, the elements that turn just another electro track into something unique and valuable. and so it proves here, from the classic computor shock (which helpfully comes in vocal and instrumental versions for those who just cant do the voice thing) to the melodic and hooky electro-funk of how we used to rock and distributed processing. stunning as always!

here comes another purple house music dancefloor banger. this time with the italian supper talent walterino, who is one of the heads behind q:boyz & he is the remixer of purples bestsellers of the past years colors & near the ocean, together with michael clifford & kaysee.

at only 23 years old, arno cost is one of frances most talented up and coming music producers and djs. his music is making huge waves across the world with his hits magenta (axwells tune of the year and a pete tong essential tune), apocalypse,‘,darling harbour’, and souvenir’,.2009 is definitely going to be the year of arno cost with cyan: the track already is pete tongs essential new tune.

sampler release extract from the forthcoming compilation from because and edbanger, introducing the nouvelle garde from the edbanger sound... all new talents that the famous label itself consider as their legitimate offsprings... over the past two years, other young producers eager to transcend the genres have been working in the shadows, preparing a new electronic revolution. who are they, and what does todays music sound like? thats what the dum-edges project is attempting to uncover, with a compilation and a live tour.

another legendary techno producers deliver the goods on be as one. this time is swedens own samuel l session with 2 singles straight out of his upcoming first ever artist album, soon to be released on the israeli label. big bad drum is exactly what the title says, a drums driven track with a bassline reminiscent of saundersons e-dancer techno. already tested by a few lucky ones, this tune is having a monster impact on the dancefloors with its funky snares and distinctive over voice . chimes still carries an old school vibe, taking a classical and deeper approach. sls sound at its best, reminds us why the don has been here for the last 15 years. a solid preview of what to expect from samuels album, classical groovy techno which reminds us how real techno is suposed to sounds like. forthcoming on be as one in october.

from belfast to detroit is next, with the legendary carl craig picking up deeper shades of black through hearing it on myspace, for his new planet e sub-label guilty pleasures for a release in june. psycatron tunes have been supported by some of the finest djs in the world, from deep dish to sasha. independent in his own right - paul has presented the respected bbc radio show across the line for the past 5 years. for the past six years paul in concert with phil johnston held one of the most prestigious residencies in ireland at the world famous shine in belfast, as well as it s sister club the stiff kitten. psycatron has also guested around ireland, the uk and europe at the likes of excentric (ibiza), excentric (perth), acii disco (dublin), deep fried funk (derry) and others. psycatron remixes constructed in the past year for excentric and the ep for fergie s imprint rekluse are massive with getting the support of everyone from carl cox to stacey pullen. psycatron s new material showcases a tougher techno-orientated sound

the make up the break up is the first release on bruno pronsatos own thesongsays label. its the longest track in his catalog (38 minutes), and an even deeper excursion into his stylized harmony. this track was originally a track uncompleted while making, æwhy cant we be like us. revisiting it roughly a year ago, bruno began to reword it. what began as simple attempt to create an ep track out of it became a monster. what monster you ask? in a few words, the monster that is brunos love of musicality and sound design. muscially speaking, we are on a ride somewhere between a slithery house track and a drugged out night out in chelsea, new york in the 60s - and thats a good thing because we get the entirety of the ride: the ups, the downs, the clouded mentality, the broken heart and perhaps the mended one. its happy, its sad - its something that you can dance to, but most importantly, its music that we think you can revisit for many years, as it somehow reflects us, our lives. a playful and extended journey through love and disaster, or at least the soundtrack to it.

second release on shaker plates and what a corker it is, chicagos angel alanis produces a quality deep techy track. angel has been on the seen for well over a decade now and has seen tracks released on such luminary labels as tresor, subliminal, tronic and many more. remix duty goes to the legend that is luke solomon, luke has been on the scene for over 15 years now and has released well over 150 productions and has done over 200 remixes from music ranging from mood to swing, matthew herbert to kasabian, the archie bronson outfit and a little duran duran thrown in along the way. and to finish the package there is an excellent remix from ciselant, with positive dj reactions from some of the worlds top spinners, including jimpster, franck roger, dubfire, laurent garnier, hector romero, robert owens and many more

dan quin has spent the last 10 years of his life mapping & mastering the animal & natural world of his promised land, the bottom of the earth, the south pole, antarctica, >the end of the world<ùand apparently producing some of the newest in dark analog driven techno & house. determined to create what he called >an artistic testament to the great antarctic expanse,< quin employed the recordings on his 1st 12 inch release, the haunting and epic >at the end of the world.< we can only hope he continues to labor away in his igloo of inspiration, hearing further calls of primitive encouragement and continuing his crusade to bring the beautiful silence of the arctic to our warm & ready earlobes.

a rare release from one of minimal house and techno s most respected icons, thomas brinkmann. isch is a much sought after track taken from a record that has been out of print since many years. not many people know that this track was originally made for the mutek festival in 2002. out of respect we let mr. brinkmann choose his prefered remixer and we were more than happy when soulphiction aka jackmate (perlon, sonar kollektiv, philpot) took on the challenge. his remisch is nothing short of a future classic, maybe even his best rework to date. an essential release for your collection!!

cmyk musik keeps the energy level high with three hot techno dancefloor killers by alessio mereu, one of the best italian producers. rojo profundo is a powerful and driving techno ep made to burn dancefloors, a beautiful collection of technoid melodies over unstoppable rhythms... the passion for music of alessio mereu, a classical piano player since he was just an eight years old kid, has been strong influenced by his close friendship with other producers from sardinia such as renato figoli, matteo spedicati and andrea ferlin. moved to electronic music, he manages to elaborate his first influences developing a personal imprint to his sound with an >hypnotic and full of groove< defined style

s up friends n freaks !! the international freakshow theatre is rising its stage curtain for opening a hopefully hot summer season 2009. with our 13th release we bring you two young guns who - so far - are new to the international freakshows roster. nevertheless basti grub from frankfurt / germany and dj w!ld from paris / france will definitely show their skills with 2 massive tracks on if-13! both tunes are properly carrying the spirit of an hedonistic summer party! the a-side comes along with mr.basti grubs marchgang. his trip into the depths of electronic music lead him through all the wellknown clubs in and around frankfurt city in the first place. nowadays he runs his own little label called hoehenregler, releasing quality house & techno music. his track on if-13 feels like a journey into the wonderland of minimal fusiontechno. bastis tune is one of those that are making you smile while you are rocking our socks off hard on the dancefloor! his tune marchgang sounds a bit like being the clash of 1920s music with the 21st centuries minimal house sound! and do you know what?! à the crazy combination fully works - give it a try folks! the flip side delivers dj w!lds balkan2?. dj w!lds musical career started 13 years ago in france with his first dj-attempts behind the decks. today the french mastermind is presenting his sound from one continent to another, as a tireless traveller he is spreading hot underground music to the people with his technical mixes. after having started his own label catwash together with chris carrier a couple of years ago, his reputation as a producer is constantly growing all around the planet! for if-13, dj w!ld brings us balkan2? - an epic and massive rollin sambaesque techhouse bomb, that has the dynamic and power to make you o nuts! this track is pure latin groove in a postmodern shape that will deeply satisfy all of you who are into the style of artists like ricardo villalobos or luciano, to name a few!

the second single taken from the remute-album grand glam is the ultimate summer-house-bomb! sling it! will make you swing, sing and of course sling. the remix by icelandinc electronic music legends gusgus is for sure a huge anthem for this years ibiza-season and delivers the fattest bassdrum of 2009. nuff said. as a bonus we have the extended mix of the grand glam -album-tune slime fast , which transforms slowly, but surely, to a horny disco-orgy. sling it!

after a winter break and a with new focus on original and forward thinking house, boe is back for 2009 with one of the hottest detroit artists to break onto the scene in years. kris wadsworth is a man who truly has his own unique production style. for years the term minimal has been banded about for music with little soul, originality and that essence of dance music, a groove. kris is a guy whose interpretation of minimalistic music oozes all of these qualities and much, much more, stripped down, funked up house that takes the listener back to when house was raw, full of energy and brimming with soul. his production resembles that of an early herbert, crunching and twisting his way though drum samples and polished chords to create a sound that is simple and intoxicating yet difficult to copy. less, it seems, is most definitely more. dig is kris first four-track ep and showcases his sound through four slices of deep, groovy late night house. the first track the depths of is kris sound summed up in just under nine minutes. the first three minutes belong to a long intro that builds and builds through vox snippets, stab samples, synth chords and h-hats that ride the groove. the track breaks down only to kick back in with a chunky snare and trippy pads to whip the listener into a frenzy. macrotones is a wonky late night rhythm synth track that wouldnt sound out of place at fabric at 7am. on the flip, white bread kicks off where the depths of left off, a catchy rhythm with swinging stabs and moody chords. a growling, gut-moving baseline makes the track a real dance floor favourite. the final track on the ep is haunted house a deep houser with a delayed bassline perfect for those late-night moments.

the journey of a chillian sound influenced by a particular romanian flavor. this sounds wild! therefore, the material to follow will be focused on interesting work. pier bucci together with monochrome including the romanian artists livio & roby allying this time their third beloved partner george g, together they come out in a beautiful ep called, santiago de bucharest. what kind of connections can be found in these two culture background in the context of their own music expression? since last years south america represented a big influence in electronic music, with the latin vibes and soul! extremely obvious is that rumanian artists identify naturaly with latin influences as their common origins helped them easily to experience this into one and solid sound. despite of the latin common element which connect the artists, their soul and spirit it is expressed unique but different in their own particular way.

for the 50th release on gamm we just had to give you a big one! mad mats reworks two of his all time favourite tracks...can it get better? both joints were huge at this years wmc conference with peeps like timmy regisford and dj spinna blasting the tracks...nuff said!

the third 12 inch in this essential edit series sees greg wilson reference his past as a disco dj in the late 70s and, subsequently, electro-funk pioneer of the early 80s. going way back to his golden guinea days, ruff wrap revitalizes a hidden gem from 1977 by lady love. this version of casey & finchs infectious miami groover, wrap your arms around me, was a record that, although never issued in the uk, was a particular club favourite on merseyside - its local popularity very much down to one of wilsons influences, terry lennaine, who championed the track on his weekly specialist soul show, keep on truckin. moving on 6 years to 1983, ruff rapp re-arranges the seminal west coast rap cut bad times (i cant stand it) by captain rapp, which was a monster tune on the black scene during the electro-funk era, having initially featured at wilsons club nights back then, legend and the hacienda in manchester, plus wigan pier. focusing on the social problems of the time, the subject matter of the lyric certainly translates to the current credit crunch climate. the crew behind >bad times< included jam & lewis and rich cason, whilst kimberly balls excellent vocal sets the whole thing off

played by: baby ford, trickski, julius steinhoff, anthony collins, philip bader, dirty doering, lil tony, kotelett & zadak, karotte,.. _ very special one sided 12 inch_ once again the latest white release is a reinvention of the label itself and pre-announces its early ending years in advance. this release is a very special one... it is from oliver ton and can be understood as the >very last number of the night<, that is why it is catalogued as the white- 999. oliver ton invited many musicians for jamming sessions into the studio of his production partner >ronald christoph<, in order to create a unique sounding. the final results are >hasta el fin< a song, which will turn every afterhour upside down, especially during summer! the song simply has it all. we love its humor and see it as an ironic statement of the minimalhouse hype.... thats why it matches so beautiful to white... or not.... and thats what we love about it, say the creators of white.

3rd release on klimaks comes from the russian talent andrey loud. releases on craft, robotronic and starter + an award for best techno dj in russia has brought mr. loud to the a-league of tech and techno over the past couple of years. we are proud to present the heaven officer and bonus track 2 the moon on klimaks. both solid and funky beasts with an irresistable melody hook on top - both hitting that fine line between progressive and techy house the perfect blend for the primetime hours. the renowned milton channels from colombia delivers his usual quality stamp on the track making it more energetic and crowdpleasing with the great drops and builds...

fist of facts began life in a basement studio on ludlow street, downtown manhattan, in the mid-80s. the bastard child of liquid liquids salvatore prinicipato & ken man caldeira (part of the liquid liquid extended family and original liquid idiot member) the band lasted nearly a decade during which they created a uniquely downtown new york sound. these tracks sat in storage on cassette tape for 25 years are a part of music history. none of them have ever been heard by the public and it will be released as a hand numbered, 4 colour sleeve limited to 500 12 inches.

next up from the very eclectic rong music is a remix ep from west indian girl.west indian girl is a rock band from los angeles. the bands name comes from a type of lsd that was popular in the early 60s. the initials are also a reference to james and tens previous band, wig scotty coats and wes the mes have fifty years of djing and remixing experience between them but their first release togetheruas wes coatsuis just coming out this month as the first california release on the newly merged dfa and rong music. patterns form hail from texas formed by sammy ragland & chris ornelas in 2000 making a cross between shoegaze trip hop & electronic moving to la in 2004 and forming a full band and have been playing live across the us ever since.

almost no other club has been the subject of so many song dedications. this time, nicone & sascha braemer deliver a heart-wrenching declaration of love for the bar25. >nur mal kurz< is nothing less than this years hit of the summer. straight rumbles, smooth sound dimensions and high-noon vocals are a serenade to the 25 timeloop

a rare release from one of minimal house and techno s most respected icons, thomas brinkmann. isch is a much sought after track taken from a record that has been out of print since many years. not many people know that this track was originally made for the mutek festival in 2002. out of respect we let mr. brinkmann choose his prefered remixer and we were more than happy when soulphiction aka jackmate (perlon, sonar kollektiv, philpot) took on the challenge. his remisch is nothing short of a future classic, maybe even his best rework to date. an essential release for your collection!! limited pressing of 500 coloured vinyls!

digitaline, the swiss experts in organic grooves and trippy rhythms, are releasing the second record of zurich based label cityfox. the vinyl features 2 long tracks, both telling their own story. the title track seeking attention builds up slowly, a perfect tool to integrate in dj sets, and starts its full power towards minute 5:00. with the catchy vocals and perfectly simple percussion, seeking attention is for sure one of this years summer anthems. it has one thing in common with the b-side track altra - a smart vocal combined with an undeniably tricky groove that makes all of you dance, with no exception. summer can come!

played by karotte, giles smith (secretsundaze), laurent garnier... already up to its 17th release, yore keeps rolling on, this time with a new release by memory foundation. in 1994 robert hood found his way into a dark basement somewhere in viennas suburbia. mr. hood was impressed by what he had heard, and with him a dat-tape took a long journey back to where techno was invented once. with their first appearance on detroits m-plant label 15 years ago, the memory foundation or one of their many alter egos found its way into the hearts and the record-bags of many serious electronic music lovers. in 1997, after setting up their own record labels central and together with jeremiah grow! and other releases on m-plant, 7th city or usm followed. the memory foundation now returns with their contribution for the yore camp, with their >reptiles in exile ep< they prove that they havent lost their magic touch. the track burns with electro-funk fire, with natural kit and cymbal sounds giving the already-surging cut extra thrust and the staccato burble of metallic chords adding berlin flavour. a lithe eight-note bass motif anchors the warm techno-funk of >bass traveller< as a flaring synth motif squiggles alongside rhodes chords and a boogieing clavinet line, and its easy to become so engrossed by the tunes relaxed swing that the artistry of its arrangement can go underappreciated. textbook body music, >summer visions< is an earthier, mid-tempo funk workout thats sure to get the dance floor crowded, while the light-speed closer >reptiles< blazes a slinky house trail whose fresh swing has got yore written all over it. with any luck, we wont be waiting twelve more years for the next memory foundation release

larry jon wilson is the first larry jon record in nearly 30 years. previously only available as a high priced import, larry jon wilson is now available, reasonably priced. in addition to his own originals, larry jon wilson performs songs by mickey newbury, dave loggins and stuart wright as well as willie nelson & bob dylans heartland.

its already well-known that cocoon recordings is a sucker for tracks that stand out of the usual field of - lets be honest - often uniformly reduced tech-house, and the past nine years of the labels history have proven this sustainably. and the rhein-neckar area based team flatner/lopazz are again two hot candidates to leave their very special mark on the summer of 2009. after all, circlemusic manager alex flatner is rocking the floors as a dj and producer for already 10 years now, having been releasing for labels such as harthouse or black nation, whereas the heidelberg-born stefan eichinger aka lopazz has made himself a name with releases on imprints from the likes of output, international deejay gigolo and mainly get physical. together they celebrate a very funky understanding for percussive techno, which is setting highly meaningful moments for the primetime, particularly by means of lascivious vocals. i wanna take you all night long, for sure! and you definitely cant find a better expression for the perfect pounding symbiosis between bass-focused club stompers and economically dosed pop elements than its time to make up your mind.

this will be a big one in both techno and disco circles... do not sleep!
subdance is proud to announce their debut ep by the italian techno music legend lory d! last year we already heard some brand new things from lory, when, after 6 years without any new releases, he published two new twelve inches on the scottish label wireblock. æplisskenÆ on subdance is another stroke of genius from the roman as he comes up with two more classic examples of his unmistakable trademark sound, sombre and enigmatic, disturbing and fascinating, euphoric and energetic, powerful and direct! the a sideÆs æbank robberyÆ is a fresh interpretation of the track of the same name from john carpenter s æescape from new yorkÆ soundtrack. lory musically transports carpenterÆs apocalyptic visions of the last days into the new millennium. the brooding bass line and haunting atmospheres push the listener to an otherworldly dimension. this is loryÆs own masterpieceà lory d in technicolor and cinemascope! the b sideÆs ædisso bassÆ aims for the dance floors immediately. a perfect techno-electro track where exploding synthesizer cascades meet fragile melodies and archetypal lory d bass lines, each with a mind of their own. redshape, another techno music legend, is responsible for the mastering of both tracks. amazing stuff!